NaNoWriMo

So as I slowly begin to write my novel for NaNoWriMo, I've decided that I might as well share the novel with people as it formulates itself. I make no guarantees that it will be good. It will be entertaining, filled with deus ex machinas and other looked-down-upon literary devices. Anyway, if you are interested, let me know (via comments or email or whatever) and I'll hook you up with the link to the read-only version of my in-progress novel (I'm writing it in google docs). So yeah, it'll be there if you want it.

Following the dream

So I tend to do things half-assed (at least in my opinion), and I'm sick of it.

The road to becoming a successful artist has been a difficult and long one. You could feasibly say that the road started when my mom enrolled me in summer art classes (which I LOVED, btw) in elementary school.

Eventually, I realized that society says that you need to go to college. Since my family was struggling financially, I realized that I needed good grades and tons of shit on my resume to get scholarships and grants and admission to a "good" school where I could make money and be happy, because, you know, if you grow up worrying about money, you think that money can buy happiness.

So, instead of pursuing art (I did enter a few little art events here and there, but not taking my work seriously), I did the academic route. Valedictorian, 1400+ SATs, blah blah blah. I got into UC Berkeley's prestigious College of Chemistry, and then proceeded to fail my first semester because I hated my classes so much.

But, instead of switching to art or theater, I ended up going the route of switching majors to Integrative Biology. Another half-assed move. I graduated Cal, then decided that I don't really want to do anything with biology (although doing biological illustrations might be sorta cool), and, thanks to Eve's support, enrolled in the Academy of Art.

When I first enrolled in art school, I started out in the Graphic Design department. After all, if you get a degree in graphic design, you can get hired into a firm as a junior designer and your career begins as an artist.

But fuck, I didn't want to kern type and mess with leading and all that crap (although I end up doing it when I design stuff anyway) - the fact is that I wanted to paint.

But, since painting is a hard profession (ever hear the term "starving artist?" I do...like every frickin' day of my life), I decided to go into Illustration. As I learned draftsmanship (yes, contrary to a lot of my work, I actually CAN draw if the need arises), I realized that I still wasn't happy. I didn't want to draw what other people tell me to - I want to draw and paint what I want to draw and paint. So after taking some fine art classes, I talked to my department chair (thanks, Chuck!) and switched my curriculum over to Fine Art.

Now that all my senior-level classes have been in the Fine Art department, I've realized that I still have this huge chip on my shoulder about technical art making. I still feel pressure to draw photo-realistically or to have super-tight registration in my prints, even if it's not what I want to do.

I want to make art that I want to make, on my terms, when, where, and how I want to do it. Yes, it's selfish, but if you aren't selfish, how are your dreams ever going to come true? My last two classes at the Academy are Quick Studies and Silkscreen 2.

Quick Studies is taught by the super fucking talented Craig Nelson and Tomutsu Takashima, and if I wanted to, could learn how to paint realistically quicker and more effectively. Watching them paint is awe-inspiring. Silkscreen 2 is taught by Carrie Ann Plank, the printmaking department chair whose critiques and feedback are amazing. I should be super, super happy to be in these classes.

However, I don't want to paint realistically. I don't want to work on my book arts project. I want to paint monsters and people saying "your mom." I want to print pandas and monsters and clowns saying "go eff yourself." Is it a waste of my money (the $11k loan I took out?) to stay in these classes if I'm not going to take advantage of all the instruction and the critiques? Perhaps. But my little artist heart can't fucking take it anymore. My priorities have shifted.

I'm too busy running a craft fair and trying to make my own art that appeals to my little inner artistic child. Fear (of failure, bad grades, teacher disapproval, of not selling my art) has mucked things up long enough. No more half-assed following my dreams.

I'm going to stop caring whether or not people think I can't paint or print. I'm going to stop caring about whether or not my instructors think I'm wasting my talent or my money or whatever. I'm going to paint what I want, I'm going to print what I want, and that's that.

I have a sign on my desk that says "What would you do, if you weren't afraid?" It's time to actually do what I would do if I wasn't afraid and stop caring about my grades. Yes, I'm fine with failing my last two senior classes at the Academy. I'm not going to graduate anyway, so what do I really have to lose? Not much.

sketches

just sayin'

really really quick sketch

~15 min, all photoshop.

I watched The Dark Knight a few weeks ago (again), and besides me walking around annoying Eve with the "wHy So sERIouS??" line all the time, I've also been working on some logo prelims for a sketch comedy troupe. Thus, besides the craft fair I'm putting on, my brain has been all about clowns.

Anyway, I slept early (~12:45ish) and am now feeling overloaded with things to do before I go to work at 12:30. So, I wanted to throw up a sketch and get back to work.

Also, I taught the Japanese Stab Binding class last night at Paper Source, and although we didn't get through as many stitches as I wanted to, I think everyone took away a good deal of basic stab binding knowledge and hopefully they can apply it to many more books.

NY ice cream can't be beat

So my friends in NY have started up their own little company that sells artisian ice cream via delivery service. How fucking cool is that? So besides being completely jealous of them coming up with such an amazing idea, I am also super inspired to hurry and get my shit together and get some of my projects up and out into the world.

Anyway, you seriously need to check them out, and if you are in NY, you are a FOOL to not sign up...there's only 50 spots so hop on that shit ASAP.

Quick Studies, first of many

So in a pretty unbelievable stroke of luck, my Quick Studies class is not only taught by Craig Nelson, but also my Tomotsu Takashima. Holy frickin' crap, this class is awesome.

Anyhoo, I just figured I'd post a 60-minute study I did today. Yay for posting new work! Yay for a awesome semester! Now I just have to get all my crap together for my silkscreen class tomorrow!


Acrylic on canvas board, 60 minute pose.

Lameness with lack of travel

It saddens me a bit to think that I'm practically the only one out of my group of friends from college that hasn't visited any of my other friends who have been sprinkled throughout (although a bit generously in New York) around the country.

I'm also one of the few friends (Eve being the other) that hasn't made it out to visit my old roommate who is now living in Shanghai.

Granted, we're probably the only ones in school who are still working retail to barely pay for rent, food, and art supplies, but it does raise the question of where my priorities in life are.

I have been incredibly lucky to have a group of friends who understand how hard it is for me to find time to get out and visit/hang out (especially when it involves a trip that lasts more than a few hours). Whether I was running a theater group or going to school/working 7 days a week, they've understood that I don't have the luxury of taking a few days off and flying out someplace.

I'm trying to start up a business (multiple businesses, actually) and it sucks, but it seems to take up all my time. So, basically, I just wanted to say thanks to everyone who is still my friend even after the years (holy crap!) of not seeing each other, or me not hanging out with people even in the Bay for months on end.

It does make me wonder if I'll ever really "have time" though. If it's not acting, then it's art, or writing, or organizing a craft fair, or working on a design project, or illustrating, or redesigning a website or (eventually) having book signings and gallery openings. I guess I just have to make time, then.


Anyway, on a bit more cheerful note, I finally picked up Issue 18 of Hyphen, where my illustration stands happily (if not totally proudly) on page 16. Woo!!!